I think a big part of this problem is that the UK contest organisers have looked to the European own choice pieces to set as tests. These pieces have largely been written as tour de forces to show off a band's sound and technical prowess, safe in the knowledge that in the European competition...
Really? Isn't that a bit like saying 'all bands have aspirations of playing in the top section'? There may be some that haven't. I know I've played in a 1st section band in the past that at the time had no desire to be in the top section.
The vast majority of 1st section bands are there because...
Yes, I think the first consideration for both band and player is 'Does what I want match closely enough with what they want?'. This is why honesty at the recruitment stage is so important.
Of course, part of the problem with all this means that player availability (or lack of it) leads to poor...
My understanding is that the rule effectively stops bands in the Spring Festival from borrowing players who played at the previous year's British Open. The band I'm playing with has a couple of players who will be playing for other bands at the British Open in September, but what they couldn't...
In my humble opinion it's the 6b you want. some think the valve register is stuffy because of the closed wrap and dependent set up, but I personally find it ideal as you can get a wide colour range on it.
Given their recent availability coupled with a general lack of funds, I'd be surprised if they've been sold in any kind of number yet and where they have been sold, are probably still very much in use.
Don't hold your breath too long...
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