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  1. Horses for courses :) I ~do~ use SM57s on...

    Horses for courses :)

    I ~do~ use SM57s on things....The Green Bee with Brett Baker was one example as it was very up close and personal....they're just not my favourite thing ;)

    The advantage...
  2. Not something I've really thought that much...

    Not something I've really thought that much about, but there are a few cheap interfaces floating around that accept line level signals if that's what you're supplying.



    Depends what you mean by...
  3. OK. Usually in this case - in the absence of a...

    OK.

    Usually in this case - in the absence of a contract that says otherwise - the copyright in the sound recording belongs to the commissioner....so if the bands paid these people as contractors...
  4. Gordon just to clarify...do you mean that the...

    Gordon just to clarify...do you mean that the bands paid this company to do the recordings?

    Edit: Or were the band approached by the company and the albums released on their 'label'?
  5. Depends on lots of variables....where it...

    Depends on lots of variables....where it is....what you want doing...how you want it delivering....how many concurrent venues you're recording in...bit of a string length question I'm afraid Steve :)...
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    It's very good....works very nicely in a good...

    It's very good....works very nicely in a good acoustic with lots of space...
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    Crammy - Jess always recommends Goldchops.co.uk...

    Crammy - Jess always recommends Goldchops.co.uk for this sort of thing (they aren't limited just to gold!)....prices are on their website, turnaround time has always been as expected.
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    In the front of the copy Jess has at home there's...

    In the front of the copy Jess has at home there's an annotation that says that during the Leyland recording some alterations were made to the score by Simon and that 'this' version of the score (and...
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    Eric's arrangement is probably the one that...

    Eric's arrangement is probably the one that populates most libraries for euph players.

    The one I played was in the same key but was actually done by Oliver Howarth....Elgar Howarth's father I...
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    You just 'cheat' on the C minor one and play the...

    You just 'cheat' on the C minor one and play the Ab on 1st and A nat on 2nd....

    ...ie molto waglo with one or two fingers...
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    Yet another sad day with one of the greats from...

    Yet another sad day with one of the greats from my past leaving us.

    Condolences to his family.
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    The K&Ms are fine, there's just a bit more fine...

    The K&Ms are fine, there's just a bit more fine adjustment on the sabra som...but if it's just an occasional thing you'll be fine.

    Enjoy yourself.
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    I've a few of these:...

    I've a few of these: http://www.studiospares.com/invt/409110

    but the ones I use most are: http://www.canford.co.uk/Products/53-622_SABRA-SOM-ST-2-Adjustable-stereo-bar
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    If you're looking to eliminate as many phase...

    If you're looking to eliminate as many phase problems as you can you should really look into using a coincident array like XY.....ORTF / NOS and the like are near coincident arrays and actually use...
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    Depends what you're trying to achieve really. ...

    Depends what you're trying to achieve really.

    How familiar are you with stereo mic techniques?

    Personally if I was just using a pair my preference would be for ORTF....worth a quick squizz on...
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    Hmm. But - again - the complaints were levied...

    Hmm.

    But - again - the complaints were levied at boring / too easy to maintain interest.....but how many performances didn't deal with the first few bars?

    I ~do~ feel for those with sparse...
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    I like exclamation marks!

    I like exclamation marks!
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    Sorry, should have qualified....it was more based...

    Sorry, should have qualified....it was more based on an extrapolation judging by the fact that there have been so many comments that individual parts are 'easy' or have nothing in them.

    In my...
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    With all this talk of 'easiness' I'll await the...

    With all this talk of 'easiness' I'll await the results with baited breath....

    One thing a lot of this piece isn't is 'easy'.
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    You do know it was deliberate, Mike? There's a...

    You do know it was deliberate, Mike?

    There's a thread somewhere (on Facebook I think) explaining the 'badness' of some of it and how it was at the request of the director.
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    Besses did it when they were British Open...

    Besses did it when they were British Open Champions.

    Besses Boys also appeared on it (me included) playing Our Boys Will Shine Tonight.
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    So in essence what you're saying is that once...

    So in essence what you're saying is that once something has been used it shouldn't be used again as we should always be moving 'forwards'?
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    Ok. I can see your point. But moving forward...

    Ok. I can see your point.

    But moving forward sacrificing what point(s)?

    Playing together? Playing in tune? Maintaining balance across the full range of dynamics? Maintantaining style across a...
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    To the best of my knowledge Dyke, Faireys,...

    To the best of my knowledge Dyke, Faireys, Tredegar and Leyland were recorded for archive purposes by the tech staff at the RNCM (if they hadn't been able to so it, I'd been asked by Paul if i was...
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    Really nice arrangement - highly recommended!

    Really nice arrangement - highly recommended!
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