I have seen on 4 Bars Rest dated 21st September, that an errata has been issued by Kapital Promotions. According to their web site the errata is as follows:- SECTION 4 - issued 31 August 2010 Sunday 26 September 2010 Harrogate International Centre A Royal Mile Suite by Alan Fernie, published by Kirklees Music ERRATA and AMENDMENTS 1. At the Palace Gates: Bar 10 - Horns 1/2 marcato Bars 17/18 - Baritones crescendo to f and away again - as horns/euph. Bars 39/40 – Cornets tied over bar-line as Bars 5/6 2. Holyrood Park: Bars 17/18 - Trombones 1/2 slurs over bar-line Bar 22 - Bass Trombone tied Bars 30/31 – 3rd Cornet, 1st & 2nd Horn, 1st & 2nd baritones slurs over bar line Bars 31/32 – Solo Cornet slurs over bar-line Bar 32 - Euphonium mp at tune Bar 35 - Solo Horn 1st note is B Bar 38 - Horns/Baritones – slurs over bar line Bars 50-52 Solo Horn/Flugel slurs over Bars 52 - Horn 2 slurs over bar-line Bar 56 - Euphonium tied Bar 59 – Euphonium dim to mp Bar 60 - Baritone 2: mp crescendo Bar 63 - BBb Bass slurs Bars 66/67 – 2nd & Bass Trombone/Basses slurs over bar line Bar 85 - Tramlines for whole band 3. Jenny Ha's Reel: Bar 16 – Euphonium mp crescendo to mf bar 17. Bars 21-23 – Side Drum here Bar 33 - Flugel/Horns slurs Bars 35,36 & 37 Cornet 3 B quaver on first beat 4. Castrum Dun-Edin: Ruling on tempi Tempo at start is crotchet = C.60 Alla Marcia tempo, crotchet = 92 - 96 Bar 25 - 3rd Cornet/Flugel slurs Bar 45/46 - Solo Cornet staccato on beats 2/4 in Bar 45, accented and slurred in Bar 46 as Soprano in bar 44 Bar 67 – Cornet 3 is f Bar 81 and on - Tam-Tam part is correct; it starts p and crescendos to ff at bars 88 and 96. The note at bar 88 should be above the stave, not on the cymbal line. If playing from an earlier edition: 1st Movement: Bar 31 Unison C in all cornets 4th Movement: crotchet = c.60 and accel. to crotchet = 92-96 at Alla Marcia Bars 42/43: Soprano D Naturals. SECTION 3 - issued 16 September 2010 by Harper Music Publications Sunday 26 September Harrogate International Centre Willow Pattern by Philip Harper, published by Harper Music Publications A few small errors in the score and parts of the forthcoming Third Section National Finals test-piece Willow Pattern have come to our attention. Please advise the adjudicators and bands of the following list and please accept our apologies for any inconvenience. Willow Pattern Errata Letter C, bars 25-29 - Glockenspiel should have Ebs and Bbs throughout Letter D, bar 38 - Euphs and baris should have ‘f’ dynamic Letter H, bar 134 - Bass trombone should have written G, not A Letter J, bar 181 - 1st baritone should have written E, not F# Letter J, bar 182 - Bb bass should have written E, not D Letter M, bars 228-242 - Xylphone should have Bbs throughout Letter O, bar 269 - 1st baritone should have ‘mp’ dynamic Letter R, bars 305-310 - Xylophone should have Bbs throughout Letter CC, bars 481-484 - Glockenspiel should have Ebs and Bbs throughout SECTION 2 - issued 9 September 2010 Saturday 25 September 2010 Harrogate International Centre Psalms and Alleluias by Philip Wilby, published by Kirklees Music Bar 39: Solo Horn F? NO Bar 41: Flugel/Solo Horn mp not f? YES Bar 62/67: FF Tom-Tom in correct place? YES Bar 88: Percussion B, FF not p? FF Bar 98 Bass Trombone P not FF? P Bar 122: Bass Trombone dynamic? P? P Bar 179: Timpani cresc. to? Or Sub. P on 180? MP Bar 208: Solo Horn/Baritone 1, dynamic? MP Bar 235: Cornet 2/3 & Baritone 1/2 dynamic? mf? MF Bar 291: Solo Horn/Euphonium - last 3 quavers FF, as in Solo Cornet B? NO Bar 294: Trombone 1, A natural? Should gliss start on Ab in previous bar as with previous minor/major 3rd clashes? YES Bar 312: Bass Trombone FF? YES Bar 328: Baritone 1/2 printed small notes to be played? YES I really do hope that all bands have been issued with these ammendments. I cannot believe that the National Finals which are being held next weekend. The 4th Section erratta according to this was issued on 31st August. The 2nd Section erratta was issued on the 9th September. The 3rd Section erratta was issued in the 16th September.