Has anyone been in a band that have changed their seating format to try and get new sounds or more balanced sounds? In the pub last week after rehearsal we had a large debate over whether or not the seating arrangements in the band were ideal or not...and decided that the only way to find out is to experiment. Hence, we drew up a list of potential ideas to try out next week to see if it makes any difference to the sound. An example being to get horns, baritones and euphs to sit were the cornets are so that their bells are pointing outward slightly more. Just wondering if anyone's band has tried this or not and whether it was successful.